{"id":3433,"date":"2010-10-13T00:00:00","date_gmt":"2019-02-12T10:37:03","guid":{"rendered":"http:\/\/www.balie.me\/WordPress\/movies\/the-social-network\/"},"modified":"2019-08-06T08:51:14","modified_gmt":"2019-08-06T07:51:14","slug":"the-social-network","status":"publish","type":"movie","link":"http:\/\/www.balie.me\/WordPress\/movie\/the-social-network\/","title":{"rendered":"The Social Network"},"content":{"rendered":"

La formule du Rolling Stone<\/i> est si pertinente qu’elle a \u00e9t\u00e9 (traduite puis) reprise sur certaines affiches publicitaires fran\u00e7aises : The Social Network<\/i> est annonc\u00e9 comme le film de l’ann\u00e9e, et qui d\u00e9finit une d\u00e9cennie *. Le film de l’ann\u00e9e peut-\u00eatre pas, mais un tr\u00e8s bon film, certainement. D\u00e9j\u00e0 avec Zodiac<\/a><\/i>, David Fincher avait gagn\u00e9 en qualit\u00e9 ce qu’il avait perdu en effets visuels pas toujours utilis\u00e9s \u00e0 bon escient dans ses autres longs m\u00e9trages, Se7en<\/a><\/i> et Benjamin Button<\/a><\/i> en t\u00eate. Et cette (relative) sobri\u00e9t\u00e9 est encore un gage de r\u00e9ussite ici. Bien aid\u00e9 par le sc\u00e9nario remarquable de Sorkin, il jongle \u00e0 merveille entre les sc\u00e8nes du proc\u00e8s et les flashbacks sur la cr\u00e9ation de Facebook, sans jamais perdre son public en route. Si ce n’est peut-\u00eatre dans quelques dialogues trop pointus (en \u00ab\u00a0culture Harvard\u00a0\u00bb ou en informatique) mais toujours tr\u00e8s bien \u00e9crits. La premi\u00e8re sc\u00e8ne, g\u00e9niale, plante le d\u00e9cor, puis tout s’encha\u00eene… The Social Network<\/i> est tr\u00e8s bavard, bruyant, rythm\u00e9, juste ce qu’il faut pour d\u00e9peindre une atmosph\u00e8re oscillant entre tension et humour. Les jeunes acteurs sont brillants et la B.O. tr\u00e8s sympathique. Et surtout, le portrait du grand entrepreneur qu’est devenu Zuckerberg n’est pas sans rappeler celui de Citizen Kane<\/a><\/i>, avec tous les ingr\u00e9dients (expansion, comp\u00e9tition, trahisons) qui font de ces histoires des \u0153uvres souvent passionnantes. Oui, The Social Network<\/i> est passionnant, parce que tr\u00e8s repr\u00e9sentatif d’une \u00e9poque et que Facebook est un sujet qui int\u00e9ressera sans doute… 500 millions de personnes. Montrer qu’un nerd<\/i> asocial et sans le sou peut b\u00e2tir un tel empire n’a rien d’anodin. L’ironie veut que son application soit un r\u00e9seau social. Mais surtout, l’avidit\u00e9 de la reconnaissance effraie, chez lui. Apr\u00e8s avoir \u00e9chou\u00e9 dans sa qu\u00eate vers les final clubs<\/i>, Zuckerberg s’investit totalement dans son \u0153uvre, au point d’en \u00e9loigner ses premiers collaborateurs pour s’assurer une gloire totale. \u00ab\u00a0Seuls\u00a0\u00bb son talent de d\u00e9veloppeur et quelques principes remarquables sur ce que veulent les gens (la personne en face est-elle ouverte \u00e0 une relation ?) et sur la constante \u00e9volution de son produit (\u00ab\u00a0It won’t be finished, that’s the point!\u00a0\u00bb<\/i>) lui permettent de r\u00e9aliser cela. Alors que rien ne le destinait \u00e0 \u00eatre un jour pr\u00e9sident d’entreprise. Son \u00e9gocentrisme lui donne un esprit de vengeance – revigor\u00e9 par le pouvoir fulgurant qu’il r\u00e9ussit \u00e0 se donner gr\u00e2ce \u00e0 Facebook – et sa victoire garde d’ailleurs un go\u00fbt amer (\u00ab\u00a0I’m the CEO… bitch!\u00a0\u00bb<\/i>). Mais l’impertinence du personnage aide beaucoup \u00e0 rendre les sc\u00e8nes du proc\u00e8s plus l\u00e9g\u00e8res. Bref, malgr\u00e9 le cot\u00e9 romanc\u00e9 \u00e9vident de l’histoire, le film a un r\u00f4le utile dans la compr\u00e9hension du monde actuel (\u00ab\u00a0Bosnia… They don’t have roads, but they have Facebook.\u00a0\u00bb<\/i>). Et c’est aussi un tr\u00e8s bon 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